Scotland, 2020

 
 
 

ON TRAVELLING

Why I was a fool not to fly the Concorde

I don't have many regrets. An opportunity arises that requires an immediate decision. You don't give it much thought; you decide, and it ends up amiss. C'est la vie. 

But there is one decision that I have regretted all my life. It was in the mid-nineties in New York, on a layover from New Zealand.

When you are flying to the US from New Zealand, you arrive before you depart. Remember Bill Murray in the Groundhog Day movie? That's how you feel. 

Flying was great then; you dressed up for it. British Airways had onboard chefs in Business and First, crew members that remembered your name, and pilots that occasionally invited you to the cockpit for a chat.

 

Bute sundown, 2020

 

Ascog House, Landmark Trust, Bute

 

I was a BA Gold member for life—life at BA is limited to thirty-six months, I learned later—which meant checking in from a dedicated terminal at JFK. Airlines kept their distinguished passengers as far removed from the crowds as possible.

That's where I made my mistake. As I checked in, I was offered a seat on the Concorde to London for an extra seven hundred dollars. I refused. Even though a standard return cost 12,000 dollars at the time, I found seven hundred dollars too much.

I was an idiot. 

 
 

Moorland, beaches, and cloudy skies on Bute.

 
 
 

Mount Stuart House and Gardens in Bute is a flamboyant example of the 19th Century Gothic Revival Architecture

I first heard it on the radio in my car on July 25, 2000. A piece of titanium on the runway ruptured a tire on Concorde flight AF4590. Tyre fragments punctured its fuel tanks and set its engines on fire. The plane crashed minutes later, and no Concorde ever flew again.

I missed my chance to fly supersonic.

A few months later, I took my first Ryanair flight to Glasgow and didn't check the airport code. It landed at Prestwick, an hour's taxi drive from Glasgow. On board, I paid for coffee, dealt with the crew peddling scratchcards, and got my eardrums busted by clarions blaring an on-time arrival.

The age of no-frills flying had arrived with a bang. 

 

The Ruin, Landmark Trust, Grewelthorpe, Yorkshire

I spent my 1.5 million miles flying the family in first class to Mexico on Swissair for a holiday. We all dressed up for the flight. A week after our return, Swissair went bankrupt and restarted low-cost as 'Swiss'.

I wonder if they shortened the name to save on paint. 

 
Hans Pauwels & Images By Reinhilde Gielen

Reinhilde Gielen and Hans Pauwels explore the world in search of fascinating narratives behind concealed beauty. They create true stories about real people, real places, and real companies. Not just stories that stick, but stories that people lose themselves in because they convey timeless values.

As Aesthetic Nomads, Reinhilde and Hans work together as a creative duo for content and design. They collaborate closely with companies, organizations, and regions to create dynamic identities through voice, imagery, and storytelling. The brands they value and assist invariably endorse authenticity, tradition, and elegance.

Reinhilde is a fashion designer with lifelong experience as creative director for luxury fashion, food, beauty, and lifestyle brands. She is also an accomplished photographer, known for her captivating portrayals of everyday beauty. Reinhilde spends several months each year immersed in different cultures, soaking up their influences and capturing intriguing images of subdued richness and sophistication.

As a founder and CEO of multiple innovative companies in the food and technology sectors, Hans has traveled the world for business throughout his career. His newfound freedom allows him to join Reinhilde on her travels and pick up creative writing from where he left it at university. Along with well-versed business strategy papers, he writes vivid and anecdotal stories that blend travel, reflection, and exploration, always infused with humor and a dash of the absurd.

In their book, Aesthetic Nomads—A Chronicle of Beauty Unveiled, Reinhilde and Hans portray—in photographs and text—how unexpected interactions and contrasts reveal hidden beauty around the world.

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